Amiralay or the art of tickling life
"Ironically, my home, is a way to drown the despair in persisting, taking it from above, by pretender to the above injury, in denying the feeling of helplessness, refusing to let go of pain, by rebelling against it. In other words, the irony is the expression of a personal front, despite the absurdity of life, before his injustice, and to the role played by the man who continues to make it more and more absurd wrong again.
Another aspect of my film work which reflects one of my major worries is the search for truth, a truth which one of the pillars, in my opinion, is the question. A form of suspicion which I consider a virtue, not a sin according to the statement attributed to the Koran, "Hold on suspicion is almost a sin," as those who want to rely on revealed truths and holy books. For every truth, in my opinion, is doubtful, ambiguous, relative, as human consciousness and history have not subjected to interrogation, the law of questioning. It is perhaps this that explains this swing in my films between documentary and fiction, which I attribute to a tendency rooted in me to rub me to doubt, to tickle the ambiguity. In short, my film could be summarized in this : Tickle life ... "
Omar Amiralay
Syrian filmmaker Omar Amiralay died Saturday, Feb. 5 at the age of 67 years Damascus.
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